Über Metal™

Über Metal™ brings you massive amounts of gain in one tiny, tough package. You can chose from some of the best Line 6 high-gain tones from HD147® and Vetta II™ including Metal, Pulverize, and Insane. Also included with the Über Metal is a built-in selectable noise gate, and scoop control for massive tonal contouring.

Model Switch - Give this a flick to reconfigure the destructive power of Über Metal.

• Metal - creates screaming distortion, from heavy grind to molten metal! Bow down, infidels.
• Pulverize - gives you a distortion similar to a high-gain tube amp. Mmmm, it’s warm and meaty!
• Insane - has more skin-peeling gain and sustain than anything else available. For the inner Samurai-shredder in all of us.

Level - This sets the output level. Higher levels will hit the amp or effect fed by the Über Metal will more signal level, giving your more volume.

Mid & Scoop - Mid chooses a frequency from 250Hz to 4kHz. Scoop then removes sound at this frequency, with maximum scoop at the fully clockwise setting. Turn it fully counter-clockwise for a slight mid boost.

Drive - This controls the amount of distortion created within your Über Metal. Especially when you've got it set high, you may need to use the Gate to tame unwanted noise.

Bass & Treble - Bass and Treble are controls for your low and high frequencies.

Gate

• Off - Disables the Gate.
• Gate 1 - A soft and mild noise gate, self-adjusting to your current Drive knob setting.
• Gate 2 - A heavy, fast-clamping gate. Great for those aggressive metal chords and palm muting.

Crunchtone™

If you like warm, full-bodied overdrive, Crunchtone™ features three juicy models: Blues, Pop and Crunch. Based on Line 6’s arsenal of power tube overdrive models, Crunchtone also give you a simple yet versatile tone control for easy tweaking, and a built-in Noise Gate.

Model Switch - Switching this instantly reconfigures Crunchtone. You get three of the juiciest overdrive sounds this side of Tejas!

• Blues - Designed to produce a glassy, snappy 6L6-style overdrive tone for playing the blues.
• Pop - Just the thing when you need a nice, 60’s-style Class-A pop/rock bark.
• Crunch - Gives a punchy, slightly compressed overdrive tone, much like what you'd get from a British-style full stack amp-and-cab setup.

Gate - Switching this instantly reconfigures Crunchtone. You get three of the juiciest overdrive sounds this side of Tejas!

• Off - Disables the Gate.
• Gate 1 - A soft and mild noise gate, self-adjusting to your current Drive knob setting (cool, huh?).
• Gate 2 - A heavy, fast-clamping gate. Great for those aggressive metal chords and palm muting.

Level - This sets the output level. Crunchtone has plenty of output to spare, so if you crank the Level knob, you can score some extra overdrive from the amp your feeding it to.

Bass - Add more lows to your sound by turning this knob up, or reduce it by turning the knob down. Point the knob straight up to leave your tone unaltered.

Treble - Just like the Bass knob, only it’s working the highs.

Drive - The Drive knob controls the amount of distortion created within your Crunchtone.

Constrictor™

Give your favorite tone a major squeeze with the new ToneCore® Constrictor™. Choose from three versatile compressor models including Compact, Squeeze, and Mellow all based on classic analog compressors from the ‘60s, ‘70s and ‘80s.
Compressor Dynamics Model Switch - This switch reconfigures the virtual circuitry inside Constrictor to give you three distinctly different “flavors”:

• Compact - Is based on vintage stompbox compressors from the `70s and gives you a slight mid frequency boost. The virtual circuitry of the Constrictor is automagically reconfigured to run a 37:1 compression ratio, 10ms fast attack & 295ms slow release time when this model is run.
• Squeeze - Gives you `80s stompbox-style compression with a pleasant treble boost. It runs a 19:1 compression ratio, 31ms slow attack & 98ms fast release time.
• Mellow - Model is the place to be when you’re in the mood for a classic tube compressor sound, with a nice, flat frequency response. It’s got 3:1 compression ratio, 10ms fast attack & 82ms fast release time.
• Level - This sets the output level. Higher levels will hit the amp or effect fed by the Constrictor with more signal level, giving your more volume.

Gate - With this knob at minimum (fully counter-clockwise) the noise gate is off. Turn up a bit to low settings, and the gate should be appropriate. Use high settings when there’s more noise to tame, or you want to aggressively clamp to silence at the end of notes or chords.

Sustain - Set this at minimum to even out the difference between your loud and quiet playing a bit, without changing sustain too much. Or max it out to bring pretty much everything to the same level, with super sustain.

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Space Chorus™

Get your hands on tones that are truly orbital with the Space Chorus™ pedal. Space Chorus features three models all based on vintage and modern analog effects: Chorus, Tri, and Vibrato. Tweak your sound with adjustable speed, shape, and depth. Space Chorus also features stereo ins and outs and Tap Tempo to keep your luscious swirling tone in time.
Model Switch - Give this a flick to reconfigure the virtual circuitry inside Space Chorus, and enjoy three distinctly different “flavors.”

• Chorus - This model lets you get tones in the style of both vintage and modern analog chorus units with “bucket brigade” electronics. Feed it a mono in, and you’ll get chorused sound on the left, and unprocessed “dry” sound on the right. Feed it stereo, and you’ll get processed sound to both left and right outputs.
• Tri - Get thick, richly modulated tone from this model based on the legendary multi-voiced chorus unit that’s a treasured “secret weapon” in many great studios.
• Vibrato - This model gives a warbling pitch variation to your sound, in the style of no-dry-mix vibrato units.

Speed - Adjusts the effect sound from a slow sweep to a speedy warble.

Depth - Dial in the amount of effect, from subtle to dramatic.

Color - The Color knob simultaneously adjusts many behind the scenes details of the sounds and works differently for each model:

• With the Chorus model, the Color knob lets you go from vintage analog tones (knob pointing left) to more modern chorus sounds (knob pointing right).
• For the Tri model, color gives you a choice from warm and mellow sound to shimmering and bright.
• For Vibrato, color works more like a three-way switch for Vintage, Blue and Euro style sounds as shown.

Tap Tempo - Get your swirling chorus groove on! Using the innovative ToneCore® double-action footswitch, you can tap a couple times and have the pulsations match your tempo. Whether the effect is active or bypassed, you can tap the footswitch lightly to set your tempo. Your first two taps establish the tempo and any additional taps will be averaged in.
Any time the Tap Tempo switch is used, the tapped value overrides the current setting. Whenever the knob is turned, it overrides the last value entered with the Tap Tempo switch. Space Chorus’ indicator light flashes the tempo in green when the effect is ON and amber when the effect is OFF.